"The Handmaid's Tale" ending explained: Is Gilead destroyed in the series finale?

Disney/Steve Wilkie The Handmaid's Taleended with the rebellion prevailing in a liberated Boston while June searches for her daughter, Hannah. Alexis Bledel's Emily, whom we haven't seen since season 4, returned for the finale. The final moments called back to the series premiere, with June returning to the Waterford house. The Handmaid's Talewrapped its sixth and final season on a triumphant, if melancholic, note. The ending saw a proper rebellion in a world where the totalitarian, patriarchal government of Gilead is wounded, but not destroyed. Hulu's Emmy-winning series is an adaptation ofMargaret Atwood's 1985 novel, though it elaborates upon its source material. The story began withElisabeth Moss' June as an imprisoned handmaid for a Gilead commander in a dystopian vision of the United States. Across six seasons, she's fought to reclaim her identity and her womanhood, all while building community among her fellow captives and trying to reconnect with the family she had before the war. The Handmaid's Tale's final season saw a revolution come to Gilead, with the abused women of this dystopia rising up to slaughter the patriarchal class and take back the U.S. The penultimate episode saw the tides turning for the rebels, with Joseph Lawrence (Bradley Whitford) sacrificing himself by detonating a bomb on a plane filled with Boston's Gilead commanders. That, tragically, included Nick (Max Minghella), the father of June's second child. So, where does that leave the show's heroes? Is June able to reunite with her daughters? And can she forgive her former oppressors? Below, we answer those questions and more in ourHandmaid's Taleending explainer. You can also hear from creatorBruce Miller, who penned the finale, in apostmortem interview conducted withEntertainment Weekly. Disney/Steve Wilkie In Boston? Yes. Gilead is no longer occupying the city after the rebels rose up and Lawrence took out the commanding officers. Boston, as June declares, is now part of America again. But Gilead is still intact throughout the rest of the country and strategizing to maintain power. In the final episode, the rebel forces are mobilizing to try and take the country back. Disney/Steve Wilkie June reunites with Nichole, her daughter with Nick, when her mother, Holly (Cherry Jones), joins the rebels in Boston. As the series comes to a close, she's on a mission to find Hannah (Jordana Blake), her daughter with Luke (O-T Fagbenle). Now living under the name Agnes McKenzie, Hannah has been living with a commander and his wife in Colorado. In the finale, Tuello (Sam Jaeger) tells June that Hannah's foster father was promoted and will be moving with his family to Washington, D.C., much closer to June's location in Boston. "I know that isn't enough," says Tuello, "but it's a kind of progress." Luke tells June to be patient, believing that "The way we get Hannah back is we take down Gilead one piece at a time." But June is anxious to not just find Hannah, but to save all the young girls held captive in Gilead. Speaking with Holly, she declares, "They're never going to stop coming for us. And even when we're gone, they're gonna come for our children and our grandchildren. Fighting may not get us everything, but we may not have a choice. Because fighting is what got us Gilead in the first place. Gilead does not need to be beaten, it has to be broken." We imagine more answers will come inThe Testaments, an upcoming sequel series based on Atwood's own 2019Handmaid's Talefollow-up novel. Set 15 years after the events ofThe Handmaid's Tale, its narrative centers on Hannah and Nichole. Disney/Steve Wilkie Yes.Alexis Bledel— who won an Emmy for her turn on the series beforedeparting between seasons 4 and 5— reprised Emily duringThe Handmaid's Talefinale. Emily approaches June as the rebels work to build a home in Boston following last week's battle, revealing that she's been in Bridgeport, a "hotspot of rebellion." While working as a Martha, she was still able to communicate with her family. Related:Alexis Bledel reflects on herHandmaid's Talecharacter's 'deeply upsetting' storyline ahead of series finale As they admire a wall of graffiti celebrating the rebels' win, they marvel at how far they've come. Still, June laments that the forces of Gilead "stole my life," and mourns the impossibility of things ever returning to the way they once were. "We're both alive to see this," Emily says, gesturing towards the graffiti. "I'm thinking of adjusting my concept of the impossible." Disney/Steve Wilkie One character whose fate remained up in the air following last week's episode was Janine (Madeline Brewer), who was still trapped in Gilead along with several other allies. Thankfully, after all she's been through across six seasons, the one-eyed woman was saved and reunited with her daughter, Charlotte, by an unlikely pair. June is brought out to the new Gilead border by Tuello, where they see shadowy figures drop off Janine. She's wounded, but alive. She's also relieved when two of the series' most vicious players, Aunt Lydia (Ann Dowd) and Naomi (Ever Carradine), hand over Charlotte. Disney/Steve Wilkie "Take good care of our Janine, please," says Lydia, who, despite her role as a Gilead enforcer, grew fond of Janine. June, who has no love lost for Lydia, thanks her. "Blessed is the woman who does not walk in stride with the wicked," she offers. Disney/Steve Wilkie As with Lydia, June is able to reconcile somewhat with Serena (Yvonne Strahovski), who tormented her as the wife of Fred Waterford (Joseph Fiennes), June's first master. By the end of the series, Serena finds herself without a home, but is nevertheless comforted to know she can freely mother her son, Noah. Speaking with Tuello, Serena acknowledges that she can never return to Gilead, while Canada and the E.U. won't give her a passport. "I guess I'm just a nobody," she says. Serena is put on a train to a U.N. refugee camp, with Tuello telling her that he'll bring her passports that can help her escape. Related:The Handmaid's Talestar Yvonne Strahovski teases there's more 'rock bottom' to come for Serena Before she leaves, Serena offers a tearful apology to June. "When I recall some of the things that were done to you, the things that I did, that I forced you to do, I'm ashamed," she admits. "You should be," June retorts. Still, she forgives her former foe. "That was very generous of you," says Tuello, to which June replies, "You have to start somewhere, right?" At the refugee center, Serena accepts her uncertain future as she hugs her son, cooing, "You're all I need. You're all I ever wanted." Disney/Steve Wilkie No, June and Luke amicably part ways, each acknowledging how much they've changed in the years they've been separated. "We don't know each other like we did before," he says, revealing that he plans to help rebel forces in New York. He encourages her to write her "escape story" down. "It wasn't all horrors, was it? You had people who helped you. Janine, Emily, Lawrence, Nick. People who loved you. People you loved. They're all worth remembering." Speaking of Nick, the man she grew to love in the post-war years, June acknowledges that he "reaped what he sowed" and that he "lived a violent and dishonest life." Still, Serena tells her, "If he ever thought he had a real choice, he would've chosen you." Disney/Steve Wilkie Luke isn't the only one telling June to turn her experience into a story. Holly, too, believes it's worth her time. "It's a story to inspire people," says Holly, one for those "who may never find their babies... who will never ever give up trying." She adds, "Write it for your daughters, June. Tell them who their mother was." The series ends with June returning to the Waterford house, where we first met her in the show's first episode. There, walking through the bombed-out remains, she pulls out a tape recorder and speaks some of the first lines we heard her say. Related:Margaret Atwood: There's nothing inThe Handmaid's Tale'that didn't happen, somewhere' "A chair, a table, a lamp. And a window with white curtains. And the glass is shatterproof. But it isn't running away they're afraid of. A handmaid wouldn't get far. It's those other escapes, the ones you can open in yourself, given a cutting edge. Or a twisted sheet and a chandelier. I try not to think about those escapes. It's harder on ceremony days, but thinking can hurt your chances." She looks directly into the frame. "My name is Offred." Disney/Steve Wilkie The Handmaid's Taleis streaming in its entirety onHulu. Sign up forEntertainment Weekly's free daily newsletterto get breaking TV news, exclusive first looks, recaps, reviews, interviews with your favorite stars, and more. Read the original article onEntertainment Weekly

“The Handmaid's Tale” ending explained: Is Gilead destroyed in the series finale?

"The Handmaid's Tale" ending explained: Is Gilead destroyed in the series finale? Disney/Steve Wilkie The Handmaid's Talee...
Rebels, gangsters and presidents animate biography of radical lawyer Paul O'DwyerNew Foto - Rebels, gangsters and presidents animate biography of radical lawyer Paul O'Dwyer

In the endless dogfight between purity and pragmatism it's never clear who to bet on. It's even harder to know who to love. Radical Irish-American lawyer Paul O'Dwyer was a passionate purist who spent most of the 20th Century fighting – and often winning – for society's losers. O'Dwyer stood up forIrish Republicans, the early Zionists, Blacksin the segregated South, Blacks in the segregated North, gays and lesbians duringthe AIDS crisis, Kentucky coal miners and, briefly, the entire population of Iran. His elder brother, William O'Dwyer, was the silver-tongued, machine-backed mayor of post-war New York who traveled by chauffeured car and got things done – until creeping scandal pushed him from office, all the wayto Mexico City. The intensely loyal but often difficult relationship between these immigrant siblings is only the most attractive of several threads crackling throughRobert Polner and Michael Tubridy'sexcellent biography, "An Irish Passion for Justice: The Life of Rebel New York Attorney Paul O'Dwyer" (available now from Three Hills Books). The clash of zealotry and conciliation, the question of how best to do the right thing, animates the O'Dwyer story in ways eerie and often striking. Sometimes tilting at windmills and at others slaying dragons, Paul O'Dwyer keeps popping up where the action is, wavy-haired, brogue-talking, and brave. It's 1967: O'Dwyer is in segregated Alligator, Mississippi, watching the local polls to help out civil rights iconFannie Lou Hamer. It's 1968 and he's manhandled by Chicago cops while trying to save an anti-Vietnam war delegate from a beating atthe riotous Democratic National Convention. There he is, sunburned in San Antonio, springing suspected Irish Republican Army sympathizers from federal lock-up. And here he is in 1993, whispering to Arkansas Gov. Bill Clinton during the Democratic presidential primaries that the time might be right for the U.S. to get off the sidelines and broker an end to decades of violence and repression in Northern Ireland. O'Dwyer, the youngest of 10, grew up in an impoverished hamlet in Ireland's County Mayo. After graduating from a Dickensian church-run school and completing a year of college – supported by the meager salaries of his schoolteacher sisters – he was summoned at age 17 to New York by his four brothers, who'd already escaped across the Atlantic. There he met Bill, who'd never laid eyes on the baby of the family. Bill was something: A seminary dropout, he'd worked as a barman, riverboat furnace-tender, and laborer before joining the NYPD and becoming a lawyer. He flashed a gold tooth. Unlike his younger brothers, he didn't send money home. He steered Paul into law school, and encouraged him to rise through the patronage and compromises of Tammany Hall – the city's ruling Democratic machine – though Paul chose more difficult means of ascent. Eldest and youngest formed a bond that would survive decades of friction over principles and tactics. Bill was elected district attorney of Brooklyn, where he prosecuted the button-men of Murder Inc., but he was stalked by allegations – never proven – of gangland ties that would later undo his mayoralty. Where Bill sent men to the electric chair, Paul defended accused killers bound for the death house. The contrast is even more striking when the book describes how their brother Frank O'Dwyer was himself shot dead in a hold-up, and his killer executed. Paul O'Dwyer didn't let zealotry fence off the road to common ground. Fiercely anti-British, he refused to condemn IRA violence, and also refused to condemn attacks on Catholics by Northern Ireland's Protestant paramilitaries, reasoning – despite his Catholic allegiance – that he couldn't pit one group of Irishmen against another. In the 1970s he caught hell for reaching out to the violent anti-Catholic bigot Andrew Tyrie, a man with plenty of blood on his hands, in search of a way to unite the poor of Belfast, Protestant and Catholic, against their shared poverty and unemployment in the British north. While Bill O'Dwyer became mayor in 1945, the highest office Paul achieved was that of city council president, in 1973. He lost primary or general election races for mayor, Congress and the U.S. Senate. Friends and foes "painted Paul as more influential than he actually was" in his brother's administration, the authors write. In retirement, Bill said his younger brother "had little patience for me because of compromises that I may have made." "That's perhaps the difference between a successful politician and one who had to learn some things yet," he added. In a now-familiar swing of the pendulum, the man who defeated O'Dwyer in the 1968 Democratic primary for senator from liberal New York, in a year of riots and tumult, ultimately lost – not to a Republican, but to the Conservative party candidate. Fifty-six years later, at another moment of upheaval, a majority of New Yorkers pulled the lever for Kamala Harris in the 2024 presidential election – but Donald Trump still won 30% of the city, the best GOP showing in three decades. As Polner and Tubridy write, O'Dwyer's life is "relevant to understanding America's and the world's polarization in the twenty-first century." Back to the brothers: Who to love? Bill O'Dwyer took the world as it was, made his deals, and built airports, housing, transit and sewers in America's biggest city. Paul O'Dwyer tried to make the world a better place, catching where he could those who walked life's high-wire without much of a net. He died in 1998, shortly after theGood Friday Agreementended decades of open conflict in Northern Ireland. As Polner and Tubridy show, to make a go of things – in a story, a city, a republic – you ultimately need both characters, the pragmatist and the purist. This article originally appeared on USA TODAY:Rebels, gangsters, presidents: The life of radical lawyer Paul O'Dwyer

Rebels, gangsters and presidents animate biography of radical lawyer Paul O'Dwyer

Rebels, gangsters and presidents animate biography of radical lawyer Paul O'Dwyer In the endless dogfight between purity and pragmatism ...
Kevin Costner Sued by Stunt Performer Over Unscripted 'Horizon 2' Rape SceneNew Foto - Kevin Costner Sued by Stunt Performer Over Unscripted 'Horizon 2' Rape Scene

A stunt performer on "Horizon 2" sued Kevin Costner on Tuesday, alleging that she was forced to perform an unscripted rape scene without proper protocols. Devyn LaBella was the lead stunt double for Ella Hunt, who played the role of Juliette in the "Horizon" films.According to LaBella's lawsuit, Costner, the director, improvised a scene in which Hunt's character would be raped. More from Variety Kevin Costner Premieres 'Horizon: Chapter 2' in Santa Barbara, But There's No News on Next Two Installments Kevin Costner Gets Crowded by Fans, Hugs Susan Sarandon as 'Horizon 2' Gets 3-Minute Venice Standing Ovation Kevin Costner Says Scrapped 'Horizon 2' Theatrical Release Was 'Probably a Reaction' to First Film's Box Office Performance: 'It Didn't Have Overwhelming Success' Hunt refused to perform the scene, the lawsuit states. LaBella was brought in as a stand-in, without advance warning, preparation or consent, and without an intimacy coordinator present, the suit alleges. According to the complaint, the male actor was directed to mount her, pin her down, and violently rake up her skirt. The set was not closed, the suit states. According to the complaint, LaBella was humiliated and traumatized by the experience. "On that day, I was left exposed, unprotected, and deeply betrayed by a system that promised safety and professionalism," LaBella said in a statement. "What happened to me shattered my trust and forever changed how I move through this industry." The suit alleges that the scene violated protocols negotiated by SAG-AFTRA, including a requirement for 48 hours' notice and consent for any scenes involving nudity or simulated sex. The incident took place on May 2, 2023, on set in Utah. LaBella also performed in a scripted rape scene the previous day, which was handled professionally, the suit alleges. In that scene, there were rehearsals, an intimacy coordinator was present, and the set was closed. "This case is a clear example of male-dominated, sexist Hollywood movie production," said Kate McFarlane, one of the plaintiffs' attorneys. "Our client was subjected to brutal sexual conduct completely unprotected from the obvious harm." Costner denied the allegations through his attorney, Marty Singer. In a statement, Singer said that Costner "always wants to make sure that everyone is comfortable working on his films and takes safety on set very seriously." "However, this claim by Devyn LaBella has absolutely no merit, and it is completely contradicted by her own actions – and the facts," Singer said. "Ms. LaBella is a serial accuser of people in the entertainment industry and has worked with the same lawyer on past claims. But those shakedown tactics won't work in this case." According to Singer, the scene was explained to LaBella, and after a rehearsal, she gave a "thumbs up" to her stunt coordinator, indicating her willingness to film the scene "if needed (which she was not)." That evening, according to Singer, LaBella had dinner with the stunt coordinators and was in "good spirits," and made "no complaints to them." LaBella's lawsuit contradicts that version of events, saying she wanted to find out why the scene was allowed to take place. "Upon expressing her outrage and concern, the male attendees blamed her for not speaking up," the suit alleges. "She now felt completely alone and disappointed, but, as production was not yet wrapped, Ms. LaBella had to continue working and keep up a professional attitude." Over the next few days, according to her suit, she experienced bouts of crying. She also felt awkward, as crew members came up to her to apologize for Costner's behavior, the suit states. She later went into therapy to deal with the after-effects of the traumatic experience. James Vagnini, another of the plaintiffs' attorneys, said the suit is intended to address "failures at the highest levels of Hollywood production companies to comprehend and address the impacts of performing in sexually explicit and violent 'scenes' and the need for intimacy coordination." In Costner's defense, Singer produced a text message that LaBella allegedly sent to the stunt coordinator upon completing the shoot: "Thank you for these wonderful weeks! I so appreciate you! I learned so much and thank you again. I'm really happy it worked out the way it did to. Have a great rest of the shoot and yes talk soon!" According to the complaint, LaBella was not hired back for "Horizon 3," and has not been hired on any of the coordinator's other projects, though she worked for him regularly beforehand. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Sign up forVariety's Newsletter. For the latest news, follow us onFacebook,Twitter, andInstagram.

Kevin Costner Sued by Stunt Performer Over Unscripted ‘Horizon 2’ Rape Scene

Kevin Costner Sued by Stunt Performer Over Unscripted 'Horizon 2' Rape Scene A stunt performer on "Horizon 2" sued Kevin C...
Pierce Brosnan Responds to People Ripping His 'MobLand' AccentNew Foto - Pierce Brosnan Responds to People Ripping His 'MobLand' Accent

Since the premiere of its first episode this past March,MobLandhas quickly become one of the most popular series streaming on Paramount+ right now. Led by an ensemble cast that includes the likes of Tom Hardy, Pierce Brosnan and Helen Mirren, the series has earned glowing reviews from both average viewers and appreciative critics alike, leaving little reason to wonder about its trending popularity today. As positive asMobLand's recent critical success has been, however, one notable aspect of the show's production has notably caught the ire of mainstream audiences. Above all else, Brosnan's thick Irish accent for the character Conrad Harrigan has earned a noticeably harsh response from viewers at home. Brosnan -- who is himself Irish, having been born and raised along the eastern region of the country -- has recently responded to the criticisms against his performance inMobLand, citing the regional differences in both his and his character's respective accents. "My own accent is very soft," the formerJames Bondstar toldRadio Timesmagazine. "Conrad's accent is a million miles away from me." In explaining where the character's voice came from, Brosnan told the publication that he spoke with his dialect coach early in the show's production. "I told him that I needed a Kerry accent, so he gave me the name of a man and I Googled the guy and that was it," said the 72-year-old Brosnan. "It was a Kerry accent. And so, I just gave it full tilt." As of yet,MobLandhasn't officially been renewed for a second season, although it's worth pointing out the show's incredibly favorable performance on Paramount+. On its first day on the streaming service,MobLandgarnered an audience of 2.2 million global viewers: the highest in Paramount+'s past history. With those kinds of numbers, it's more than likely the show will return to the streaming service -- something Tom Hardy himselfhopeswill be the case. Pierce Brosnan Responds to People Ripping His 'MobLand' Accentfirst appeared on Parade on May 27, 2025

Pierce Brosnan Responds to People Ripping His 'MobLand' Accent

Pierce Brosnan Responds to People Ripping His 'MobLand' Accent Since the premiere of its first episode this past March,MobLandhas qu...
Why Wynonna Judd Says She and Sister Ashley Are 'Not as Close as I'd Like to Be'New Foto - Why Wynonna Judd Says She and Sister Ashley Are 'Not as Close as I'd Like to Be'

Catherine Powell/Getty Wynonna Judd said she and sister Ashley Judd are "not as close as I'd like to be" Wynonna said that "success took us away from each other" The women share mom Naomi Judd, who died in 2022 Wynonna Juddis opening up about her complicated relationship with younger sisterAshley Judd. Wynonna, 60, appeared onTalking in Circles with Clint Blackon May 23, and reflected on the ways in which her closeness with Ashley, 57, has fluctuated over the years as they each found fame and success. "Ashley's doing well. I don't see her very much, and we're not as close as I'd like to be, but that's because success took us away from each other," Wynonna said. "It's a funny thing. There's a bit of a sadness because being famous takes you from home." The "Why Not Me" singer and theDivergentactress were both born to momNaomi Judd, whodied by suicide in April 2022at age 76. Because the family struggled financially, Wynonna was often left with her sister while Naomi, a single mother who gave birth to Wynonna at 18, went to work. "I raised Ashley. That's why we have such a funny relationship, 'cause she calls me 'sister mommy.' And I'm a little bit sad about that, 'cause I didn't get to be her sister," Wynonna told Black. "It was just the two of us, trying to survive. I'm bigger and meaner than her, 'cause I had to be. I had to be mean 'cause I had to keep it together. When you're 14 years old, and your mom is working all the time and you learn to drive…" She continued, "I was responsible for a lot. And she put me in charge. And that's just the way it was. You grow up with a single parent, what are you gonna do? We made it through, didn't we?" When Wynonna was in her late teens, she and Naomi found success as singers with the duo The Judds. Ashley, meanwhile, became an actress, and had her breakout role in 1993 with the filmRuby in Paradise. After losing their mother,Wynonna told PEOPLE in 2022that she was relying on Ashley, as she'd now lost both of her parents. Ron Davis/Getty "Both my parents are gone, and I'm relying on Ashley. She's relying on me in a different way that's about compassion. It's not about being successful and smart and capable," she said. "It's about, 'I love you.' 'I love you, too.' We're vulnerable with each other, and we're tender… Ashley and I are very different people, and we are learning that we have more in common than we don't." Ashley, meanwhile, spoke about their sibling bond on theHealing with David Kesslerpodcast that same year, explaining that they wereprocessing Naomi's death differently, but still getting along. "Sister came over yesterday and spent the day with me and spent the night and we talked about mom, we talked about social issues," she said. "She gave me a foot rub and she's in a pretty different place than I am right now. And we don't have to be congruent in order to have compassion for each other and I think that that's a really important grace that family members can hopefully learn to give each other." Brian ZAK/Gamma-Rapho/Getty The sisters recently reflected on their ups and downs in a new Lifetime docuseries titledThe Judd Family: Truth Be Told, which premiered earlier this month. Ahead of the release, Naomi's widower Larry Strickland spoke to PEOPLE, and said his late wife's deathbrought her daughters closer. "They were forced together. We all had to come together around this trauma, this tragic event," he said. "And it, of course, opened our eyes about how short life can be and how fleeting. Realizing that we lost a wife and mother, it forced us to be together, whether we wanted to or not." Read the original article onPeople

Why Wynonna Judd Says She and Sister Ashley Are 'Not as Close as I'd Like to Be'

Why Wynonna Judd Says She and Sister Ashley Are 'Not as Close as I'd Like to Be' Catherine Powell/Getty Wynonna Judd said she an...

 

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